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SLASH Set For Sixth Solo Album, A Blues-Infused Orgy Of The Damned

By Larry Petro, News Monkey
Wednesday, March 13, 2024 @ 1:13 PM


Out May 17th On Gibson Records; First Single, Video "Killing Floor" Debuts

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Photo Credit: Gene Kirkland

SLASH, the iconic, GRAMMY-winning guitarist and songwriter, has announced his sixth solo album titled Orgy of the Damned, will be released on May 17 via Gibson Records and is available to pre-order now. A collection of 12 dynamic songs that shakes up and revitalizes blues classics with a stripped-down, instinctive approach, SLASH's new album, Orgy of the Damned, creates a singular expression that pays homage to the blues.

The first single "Killing Floor",-which features Brian Johnson of AC/DC on vocals, and Steven Tyler of AEROSMITH on harmonica-is an electrifying, raucous and gleefully unbridled take on HOWLIN' WOLF's 1964 Chicago blues standard.

Watch/share the new video for "Killing Floor", which offers a first look at SLASH and his blues band Johnny Griparic (bass), Teddy Andreadis (keyboards), Michael Jerome (drums), and Tash Neal (vocals/guitar), recording the song in the studio on KNAC.COM HERE.

""Killing Floor" is one of my favorite HOWLIN' WOLF songs, but also one of the iconic blues riffs that turned me on as a young guitar player. I've always wanted to cover it in some capacity and this record was the perfect vehicle. But playing it with this band, and with Brian Johnson singing, it was an achievement I would never have imagined back then. Let alone Steven Tyler providing the harp."-SLASH

"When Slash asked me to sing on "Killing Floor", I said yes immediately. It was one of the first songs I learned in my very first band, and when he played me the backing track it was a no-brainer, and Steven's harmonica is so bloody hot. I had a ball with Slash in the studio, and I think we did this great old song justice. Rock on."-Brian Johnson (AC/DC)

Orgy of the Damned encompasses a broad range of styles within the blues genre, veering from an upbeat, rowdy take on Robert Johnson's "Crossroads" to a plaintive, twanging rendition of T. Bone Walker's "Stormy Monday". Some of the songs, like STE[PPENWOLF's "The Pusher", Charlie Segar's "Key to the Highway", and Albert King's "Born Under a Bad Sign", had been performed by SLASH'S BLUES BALL, while others, like Stevie Wonder's "Living for the City", were long-time favorites for Slash. "Hoochie Coochie Man", written by Willie Dixon and made famous by Muddy Waters in 1954, showcases the in-the-moment nature and unrestrained energy of Orgy of the Damned, with Z.Z. TOP's Billy F. Gibbons stepping in on guitar and vocals. The group went into a rehearsal room in North Hollywood and began hashing out soulful, rollicking takes on the classic songs. Everything was played live in the room, with an emphasis on improvisation which resulted in a collection of dynamic, energized songs that are immediate, raw, and distinctly familiar.

As SLASH was considering vocalists, he approached his old friend and collaborator, Iggy Pop, who had long wanted to record a blues song. Pop suggested Lightnin' Hopkins' 1962 track, "Awful Dream", a sparse, drawling number originally laid down on acoustic guitar. The duo decided to recreate that stripped back vibe and recorded their own languid, emotionally resonant version sitting on two stools in SLASH's studio. "Iggy's interpretation of that song is actually sublime," says SLASH. "And it's something that nobody's really heard from him. At the end of the track, you can hear him just singing the harmonica parts."

Elsewhere on Orgy of the Damned, Demi Lovato lends her powerhouse voice to "Papa Was a Rollin' Stone", a fervent, soulful version of the 1972 single by THE TEMPTATIONS that SLASH admired as a kid. Although the song veers more towards R&B, the guitarist wanted to give it his own impassioned spin. The album concludes with a soaring original instrumental number, "Metal Chestnut", penned specifically for Orgy of the Damned by Slash.

Orgy of the Damned showcases a lesser-heard aspect of SLASH's musical prowess. While he has always embraced a broad range of styles and genres, the album offers a rare opportunity to explore a unique side of his playing and bring to the forefront a rollicking journey through his strong blues inspirations, that have long been in the background of his illustrious career.

Orgy of the Damned will also be available on vinyl and via CD. For more information go to, www.slashonline.com.

The complete tracklisting for SLASH's Orgy of the Damned is as follows below:

  • ""The Pusher" feat. Chris Robinson (vocal and harmonica)
    Written by Wayne Hoyt Axton
  • "Crossroads" feat. Gary Clark Jr. (vocal, rhythm guitar, and solo)
    Written by Robert Leroy Johnson
  • "Hoochie Coochie Man" feat. Billy F. Gibbons (vocal, rhythm guitar, and solo)
    Written by Willie Dixon
  • "Oh Well" feat. Chris Stapleton (vocal)
    Written by Peter Alan Green
  • "Key to the Highway" feat. Dorothy (vocal)
    Written by Charles Segar, William Broonzy
  • "Awful Dream" feat. Iggy Pop (vocal)
    Written by Sam (Lightnin') Hopkins, Clarence Lewis, C. Morgan Robinson
  • "Born Under a Bad Sign" feat. Paul Rodgers (vocal)
    Written by William Bell and Booker T. Jones
  • "Papa Was a Rolling Stone" feat. Demi Lovato (vocal)
    Written by Barrett Strong and Jesse Norman Whitfield
  • "Killing Floor" feat. Brian Johnson (vocal)
    Written by Chester Burnett (Howlin' Wolf)
    *Special guest Steven Tyler on harmonica.
  • "Living for the City" feat. Tash Neal (vocal)
    Written by Stevie Wonder
    *Special guest background vocals: Jenna Bell and Jessie Payo
  • "Stormy Monday" feat. Beth Hart (vocal)
    Written by T-Bone Walker
  • "Metal Chestnut"
    Written by Slash


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