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![]() JUNKMAN Recaps The 2017 LOUDER THAN LIFE Festival ![]() By Junkman, On-Air Personality Friday, October 20, 2017 @ 7:18 AM ![]()
The Louder Than Life festival returned to Louisville Kentucky’s Champions Park, once again, and it was a down right blast. An estimated 60,000 or so people attended and all agreed. Produced by Danny Wimmer Presents, it featured two full days of music on three stages, as well as some of the best food and drink offerings that I have ever seen, all centrally located just outside downtown Louisville. To say that it was a weekend in heaven for me would not be enough. But the combination of all my favorite things in an early fall setting amongst some of the friendliest people you can imagine in such a serene atmosphere makes the trip one of my favorite destinations.
Food wise it cannot be topped. Dozens of BBQ stands, featuring everything from pig carcasses on a grill, to whole chickens, turkey legs and tri-tip and brisket were on display. The portions were huge and affordable. Lots of other stuff to chow down on, including some of my favorite southern style and Creole favorites like jambalaya, red beans and rice, HUGE crab cakes and loaded mac and cheese, were available to all. Just about every kind of tasty food you can think of, including pizza, Asian noodles, burgers, and hot dogs were in plentiful supply throughout the festival.
Plenty of other enticements were available, such as deserts, full bars, soft drinks, and lots of room to move about, with picnic tables, scattered amongst the trees and surrounding woods. This year, in addition to the huge VIP tent was a raised grandstand just outside for a terrific view of the two main stages. Inside the tent were lots of couches and tables, full bars, and a large TV screen that broadcast all the action onstage throughout the weekend.
GOJIRA, again the heaviest band on the bill, brought their brand of massive metal to the Louisville fans with a devastating, eight song set that included “The Heaviest Matter Of The Universe” and “Flying Whales”, two songs that are among my GOJIRA favorites, and metaphors for the crowd surfers in the audience who were everywhere it seemed. This band continues to win new fans every time I see them, and their stage show is indeed “Louder Than Life.”
HALESTORM is always great to see, and they brought out their best to the “Monster Energy” stage. Opening with their hit “Love Bites (So Do I)” singer/guitarist Lzzy Hale, sporting an adorable “pixie” haircut and dressed in black leather, is one of my favorite front-people in the business. She is a passionate performer with a terrific voice and stage presence. HALESTORM fans were out in full force, singing along to every word of favorites like “I Get Off” and “Freak Like Me”, which led into yet another terrific drum solo by Lzzy’s incredible brother AreJay Hale. This guy is someone to admire. What a performer! Again, HALESTORM gave the crowd what they came to see, and the LTL faithful roared their approval.
ROB ZOMBIE, fittingly appeared on the “Monster Stage” and was all show. He is in constant motion, and wearing a bright leather suit with huge fringes, he looks like a tornado as he leaps about and waves his arms. He cranked out an interesting and spooky 14 song set, featuring his terrific band. Guitarist John 5, in his ever-present frock and now sporting an L.E.D. light-up guitar and some sort of L.E.D. device in his mouth, is one of the most talented guitarists in rock. Hit after hit like “Living Dead Girl” and WHITE ZOMBIE favorites “More Human Than Human” and “Thunder Kiss ‘65” were among the songs performed, as well as the interestingly titled “Well, Everybody’s Fucking In A U.F.O.” It’s always a fascinating show to see, and the crowd was enthralled from the get-go. Some great cover songs were performed, like ALICE COOPER’s classic “School's Out” and the RAMONES "Blitzkrieg Bop" before ending the set with the Zombie staple “Dragula” that really kicked the audience’s collective asses.
Headliner OZZY OSBOURNE brought out the crowds for his first visit to Louisville in a while. It had been even longer since guitarist Zakk Wylde had been in his band, and tonight was what they had all been waiting for. And Ozzy and company delivered. He gave the fans everything that they expected, from the opening riff of “Bark At The Moon” to Wylde’s incredible guitar prowess on “I Don’t Know” to the 11 song set ending “Crazy Train”, it was typical Ozzy. Despite the fact that there were voice problems and some technical issues, it was “The Prince of Darkness” doing what he does to an adoring crowd and they all loved it. Ladies, gentlemen, kids of all ages, everyone loves OZZY OSBVOURNE. I was disappointed that I was not allowed to photograph him, but it’s always a great festival when Ozzy and company are around. With a lot of the older rock stars seemingly dropping like flies lately, it’s good to see Ozzy up onstage where he belongs.
BEARTOOTH, who followed on the “Monster Energy” stage, woke up the crowd surfers from their early hibernation. Opening with “Body Bag”, it was a great metaphor for all the surfers being pitched over the barrier, wild looks of excitement on their faces as they were herded back into the crowd by an aggressive and busy security crew. Singer Caleb Shomo grinned and grimaced throughout BEARTOOTH’s set of metalcore and madness, thoroughly enjoying the chaos he and his bandmates helped create. “Rock Is Dead” was like an anti-anthem from this band from Ohio, and their fans reacted positively, to everything that was dealt their way.
FALLING IN REVERSE vocalist Ronnie Radke is a maniac and prowls the stage like an animal hunting its prey. “Raised By Wolves” midway through the set was a perfect title for Radke to perform, and FIR and their frantic fans were pleased with their seven song set. After missing most of the bands on the “Zorn Stage”, which was on the other side of the festival, I decided to make may way over there, indulge in some of the fantastic food offerings and check out the faces in the crowd. Speaking of crowd, Day 2 seemed to be a bit less crowded than Day One of the festival, but by late afternoon, it seemed to fill up considerably.
Naturally, since I was ‘in the neighborhood,” I decided to check out sets from two of the best female-fronted acts on the circuit, LACUNA COIL and IN THIS MOMENT. The “Zorn Stage” crowd packed in to see Italy’s LACUNA COIL who, bedecked in white outfits smeared with blood and messages rocked their fans with a brilliant, but brief six song set. Lead vocalists Andrea Ferro and the lovely Christina Scabia are a very entertaining duo. They balance and take turns on the vocals of their style of “Gothic Metal” and focused on their latest release, 2016’s Delirium, of which four of the six songs in the set were from. Highlights for me and other fans, included an excellent version of “Blood, Tears, Dust” as well as the set closing “The House Of Shame”.
STONE SOUR just explodes onstage. With the cover art from their new release Hydrograd as a backdrop, they came out smoking on the “Loudmouth Stage” and blasted out the first three tracks, “YSIF”, “Taipei Person/Allah Tea” and “Knievel Has Landed” like they were showing off new toys that they got for Christmas. They fire as a unit collectively. Singer Cory Taylor is the main focus and he is everywhere, even jumping onto the adjoining “Monster Stage” at times, a ball of energy and emotion, clearly having the time of his life. Bassist Johnny Chow is the backbone, thumping out the heavy low end and providing the sonic thud that the rest of the band, guitarists Christian Martucci and Josh Rand, and the extraordinary drummer Roy Mayorga, build upon and bring to a boil.
And the adrenaline kept flowing as RISE AGAINST followed with a brilliant set. Opening with my favorite song of theirs “Ready To Fall”, it was “On like Donkey Kong” as the say, with an extremely up-tempo and pleasing set. Band members spent the set moving about the stage, switching microphones and mugging for the crowd as they rocked their fathful fans. Singer/guitarist Tim McIlrath even jumped offstage onto the barrier to get closer to the fans, much to the chagrin of the security crew, who obviously had their hands full all weekend. They finished the set with probably their biggest hit “Savior”, which the weary but still lively crowd loved and happily sang and danced to.
The final act of the weekend was the Hip-Hop rock “Supergroup” PROPHETS OF RAGE, who basically stomped on the mellow stoner groove of the pervious band and kicked it right in the nuts. A combination of three members of RAGE AGAINST THE MACHINE (guitarist Tom Morello, bassist Tim Commerford and drummer Brad Wilk) as well as PUBLIC ENEMY voice Chuck D and CYPRESS HILL member B-Real fired up the crowd immediately, with RATM classics like “Testify” and “Take The Power Back” as well as PUBLIC ENEMY’s “Prophets Of Rage” which opened the show. It was a lot of fist pumping, “fuck dis, fuck dat” bravado going on, just like many hip-hop shows, but this time backed by a great band. Morello provided as much power as the two rappers onstage with his dive-bombing style of guitar prowess. And interesting turn was the inclusion of the band's tribute to Morello’s AUDIOSLAVE band member, the late singer Chris Cornell, with an instrumental version of “Like A Stone” that the fired up LTL crowd sang.
Check out some more photos from the show!
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